SCORES
All of these scores are freely available, though entirely optional payment (pay-what-you-like) via the "donate" button (paypal) or small regular donation via Patreon is appreciated, and helps me keep making these things. Alternatively, consider donating to Medical Aid for Palestinians or Youth Music.
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Please get in touch if you're interested in playing anything (or have any questions)—you don't need my permission or input in order to play my music, but I'd be glad to know.
In development:
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Tending
Flexible duration, flexible instrumentation
(in progress, score(s) coming soon)
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Octet, or, Music for 9+ Musicians: a version of "Tending"
Forty minutes approx., piano, six violins or violas, at least two bass clarinets, local recording devices, 2024
(score to follow first performance)
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Double Quintet and Duo: a version of "Tending"
Seventeen minutes approx., 2x (piano, flute, violin, cello, vibraphone/guitar, bass clarinet), 2024
(score to follow first performance)
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String Quartet: a version of "Tending"
(score to follow first performance)
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Trio: a version of "Tending"
Fifteen minutes approx., fl., vc., pno, 2024
(score to follow first performance)
For Marsyas Trio (f.p. Nov 23, 2024)
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Available:
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Piano(s) and String Quartet: a version of "Tending"
Fifteen minutes approx., piano(s) and string quartet (vln, vln, vla, vc), 2024​
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Flexible duration, voices (of any ability), 2024
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Four Pianos: after four bars by Rued Langgaard, composer*
Thirteen minutes approx., piano quartet, 2024
For Square Music
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Fifteen minutes approx., piano and e. guitar with e-bow, 2024
To Kory Reeder
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No particular instruments, no particular durations, 2024
Six Lines: after a song by Freda D'Souza
Ten minutes, six middle-register sustaining instruments, 2024
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Tending (guitar), or, 2(1+1+1)
Transcribed from an improvised performance in Minneapolis, March 2024
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Any two players, flexible duration, 2024
After Mieko Shiomi; to Antoine Beuger
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No particular instruments, no particular duration, 2024
For Luke and Nina Martin
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2024
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Five minutes approx., 2024
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Trio: after a trio by James M. Creed, composer*
Flexible duration, flexible instrumentation, 2024
For flxnflx
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Fifteen minutes approx., solo organ, 2024​
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Trio: after an étude by Hélène de Montgeroult, composer*
Piano, bass clarinet and cello, at least eight minutes, 2023
Composed for Terra Invisus, trio
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Piano Study 8: for Kate Ledger
30 mins approx., Piano and smartphones (or similar), 2023
Composed for Kate Ledger, pianist
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For at least two players, flexible duration, 2022
Published in Prototype 5, anthology, by Prototype publishing
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Solo electric guitar with effects, approx 12 minutes, 2022
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(there's no score for [untitled guitar piece], just some notes here so that somebody could play it if they wanted to)
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Solo percussion, 2022, three pieces:
1. Having only seen the score for James Tenney's Having Never Written a Note for Percussion whilst having never seen the score for Alvin Lucier's Silver Streetcar for the Orchestra
2. Having now seen the score for Alvin Lucier's Silver Streetcar for the Orchestra (which I had already heard) whilst having still only seen the score for James Tenney's Having Never Written a Note for Percussion
3. Having at last heard James Tenney's Having Never Written a Note for Percussion (which I had already read) and also seen the score for Alvin Lucier's Silver Streetcar for the Orchestra (which I had already heard)
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Piano Study 7, or, the logical extension of both "Piano Study 1" and "Piano Study 6"
Solo piano, 2022
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Flexible instrumentation, flexible duration, 2022
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Electric guitar duo with effects, 25 minutes, 2022
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Flexible instrumentation or guitar with effects, flexible duration, 2022
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Flute, one breath, 2022
Composed for Kathryn Williams's coming up for air
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​They don't write 'em like they used to
Physical theatre/clowning, flexible duration, 2021
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Piano and Accompaniment: after an étude by Camille Saint-Saëns, composer*
Piano and flexiple mid-range ensemble with bass, 17 minutes, with optional prelude and/or postlude, 2021
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Flexible/no instrumentation, 2021
Four short theatrical sketches, three performers, 2021
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Flexible instrumentation, flexible duration, 2021
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Flexible instrumentation (probably solo), flexible duration, 2021
Leaf Piece: for Fernando Yada Rodrigues
Piano, flexible duration, 2020 (revised 2021, formerly Two Lines for . . .)
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Seven Lines: for Sarah Hetrick
Alto saxophone, flexible duration, 2021
Composed for Sarah Hetrick as score for audio component of Phonic Cycles, collaboration with Sarah Hetrick and Virginia Lee Montgomery
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Voice(s), flexible duration, 2020 (second page added 2020, third added 2021)
Published in Prototype 5, anthology, by Prototype publishing
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Piano, spring 2021
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​Six Lines: for Clare Spollen
Piano, flexible duration, 2019 (revised 2021)
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Cello or cello-like objects, flexible duration, 2021
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​Berceuse which continues for an organist
Organ, 6–8 hours 2020
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Flexible instrumentation, flexible duration, 2020
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Keyboard instrument(s), flexible duration, 2020
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Seven Lines: for the Ligeti Quartet
String quartet, flexible duration, 2020 (revised 2020)
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Catrographies I-IV
Flexible instrumentation, flexible duration, 2018 (revised 2019)
(abandoned - reflective talk on these pieces and notation as map-making here)
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Keyboard instrument, flexible duration, 2018 (revised 2020)
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Flexible instrumentation, flexible duration, 2019 (revised 2020)
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Practice of flexible duration, 2020
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Text score for those stuck indoors, 2020
Published in Claudia Molitor's Hausmusik Kollektiv project, published by HCMF
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The Jurassic Coast in the Off-Season
Flexible instrumentation, flexible duration, 2019
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Flexible instrumentation, flexible duration, 2019