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SCORES
 

All of these scores are an open invitation to respond or to not respond however you would like.


They are freely available, though entirely optional nominal payment via the "donate" button (paypal) or small regular donation via Patreon is appreciated, and helps me keep making these things. Alternatively, consider donating to Medical Aid for Palestinians or Youth Music.

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Please get in touch if you're interested in playing anything (or have any questions)—you don't need my permission or input in order to play my music, but I'd be glad to know.
 

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Tending

Flexible duration, flexible instrumentation

(in progress, score(s) coming soon)

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Octet, or, Music for 9+ Musicians: a version of "Tending"

Forty minutes approx., piano, six violins or violas, at least two bass clarinets, local recording devices, 2024

(score to follow first performance)

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Double Quintet and Duo: a version of "Tending"

Seventeen minutes approx., 2x (piano, flute, violin, cello, vibraphone/guitar, bass clarinet), 2024

(score to follow first performance)

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String Quartet and tines, or, "eddy"

Twenty minutes approx., string quartet, eight or more attack/free decay instruments, 2024

(score to follow first performance)

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Duo: a version of "Tending"

Fifteen minutes approx., piano and e. guitar with e-bow, 2024

To Kory Reeder

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Music for Three Players

No particular instruments, no particular durations, 2024
 

Six Lines: after a song by Freda D'Souza

Ten minutes, six middle-register sustaining instruments, 2024

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Tending (guitar), or, 2(1+1+1)

Transcribed from an improvised performance in Minneapolis, March 2024

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Music for Two

Any two players, flexible duration, 2024

After Mieko Shiomi; to Antoine Beuger

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Number Piece(s)

No particular instruments, no particular duration, 2024

For Luke and Nina Martin

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Piano 8 Hands

Five minutes approx., 2024

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Trio: after a trio by James M. Creed, composer*

Flexible duration, flexible instrumentation, 2024

For flxnflx

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Pipe Organ Study 1

Fifteen minutes approx., solo organ, 2024​

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Trio: after an étude by Hélène de Montgeroult, composer*

Piano, bass clarinet and cello, at least eight minutes, 2023

Composed for Terra Invisus, trio

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Piano Study 8: for Kate Ledger

30 mins approx., Piano and smartphones (or similar), 2023

Composed for Kate Ledger, pianist

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Cradle Piece

For at least two players, flexible duration, 2022

Published in Prototype 5, anthology, by Prototype publishing

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One Guitar

Solo electric guitar with effects, approx 12 minutes, 2022

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[untitled guitar piece]

(there's no score for [untitled guitar piece], just some notes here so that somebody could play it if they wanted to)

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For Percussion

Solo percussion, 2022, three pieces:

1. Having only seen the score for James Tenney's Having Never Written a Note for Percussion whilst having never seen the score for Alvin Lucier's Silver Streetcar for the Orchestra

2. Having now seen the score for Alvin Lucier's Silver Streetcar for the Orchestra (which I had already heard) whilst having still only seen the score for James Tenney's Having Never Written a Note for Percussion

3. Having at last heard James Tenney's Having Never Written a Note for Percussion (which I had already read) and also seen the score for Alvin Lucier's Silver Streetcar for the Orchestra (which I had already heard)

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Piano Study 7, or, the logical extension of both "Piano Study 1" and "Piano Study 6"

Solo piano, 2022

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Nomond, or, no more Lomond

Flexible instrumentation, flexible duration, 2022

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Two Guitars

Electric guitar duo with effects, 25 minutes, 2022

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Towmond

Flexible instrumentation or guitar with effects, flexible duration, 2022

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Flute Study 1

Flute, one breath, 2022

Composed for Kathryn Williams's coming up for air

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​They don't write 'em like they used to

Physical theatre/clowning, flexible duration, 2021

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Piano and Accompaniment: after an étude by Camille Saint-Saëns, composer*

Piano and flexiple mid-range ensemble with bass, 17 minutes, with optional prelude and/or postlude, 2021

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Tinnitus Piece

Flexible/no instrumentation, 2021
 

The Big Stokowski

Four short theatrical sketches, three performers, 2021

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Berceuse

Flexible instrumentation, flexible duration, 2021

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Dialogue 1

Flexible instrumentation (probably solo), flexible duration, 2021
 

Leaf Piece: for Fernando Yada Rodrigues

Piano, flexible duration, 2020 (revised 2021, formerly Two Lines for . . .)

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Seven Lines: for Sarah Hetrick

Alto saxophone, flexible duration, 2021

Composed for Sarah Hetrick as score for audio component of Phonic Cycles, collaboration with Sarah Hetrick and Virginia Lee Montgomery

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The Hollies, for example

Voice(s), flexible duration, 2020 (second page added 2020, third added 2021)

Published in Prototype 5, anthology, by Prototype publishing

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Piano Studies 1-6

Piano, spring 2021

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​Six Lines: for Clare Spollen

Piano, flexible duration, 2019 (revised 2021)

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Ten Lines: for Khabat Abas

Cello or cello-like objects, flexible duration, 2021

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​Berceuse which continues for an organist

Organ, 6–8 hours 2020

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Lomond

Flexible instrumentation, flexible duration, 2020

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But light now appearing,

Keyboard instrument(s), flexible duration, 2020

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Seven Lines: for the Ligeti Quartet

String quartet, flexible duration, 2020 (revised 2020)

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Catrographies I-IV

Flexible instrumentation, flexible duration, 2018 (revised 2019)

(abandoned - reflective talk on these pieces and notation as map-making here)

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Deer Isle I, II & III

Keyboard instrument, flexible duration, 2018 (revised 2020)

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Hummingbirds

Flexible instrumentation, flexible duration, 2019 (revised 2020)

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Somewhere on a Sundial

Practice of flexible duration, 2020

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Turn ___ at the ________

Text score for those stuck indoors, 2020

Published in Claudia Molitor's Hausmusik Kollektiv project, published by HCMF

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The Jurassic Coast in the Off-Season

Flexible instrumentation, flexible duration, 2019

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Sheepdogs

Flexible instrumentation, flexible duration, 2019

compositions: Image
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